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Name: Jamie Stillway Age: 31 Currently Reside: Portland, Oregon
Hometown:
I was born in Sacramento, CA, but spent most of my formidable years in Hastings, MN.
First guitar:
First
guitar: I can't recall the brand name, but it was a rather inexpensive
acoustic/electric with a cutaway. I also had a little Fender Squire
amp. Nothing like trying to coax distortion out of an acoustic with an
electric amp!
At what age did you start playing guitar and why? I started around age 13. My stepbrother had come home one day with a red Stratocaster copy that his friend had lent him. Being the flailing saxophonist that I was, I had apparently been seeking other musical outlets. I do believe the first song, well, riff I learned was "Smoke on the Water."
Early Influences: Due to the fact that I was firmly ensconced in my teenage years at the onset of my guitar playing, I was undoubtedly swayed by popular music of the day. Eric Clapton's "Unplugged" album came out shortly after I started playing guitar; when I realized I could comprehend the tablature for "Layla" in a guitar magazine, a whole new world opened up. Mind you, I had also started classical guitar lessons around the same time, so I was also heavily influenced by my teacher, Jeff Brueske.
I often
refer to my first gig as my first appearance at an open mic in Santa
Barbara, CA. At that point, I knew I wanted to be a professional musician,
and you have to start somewhere. I played "Steel Guitar Rag" and just
remember that my fingertips were so sweaty that my thumb pick fell off. Any
time I get nervous before a gig, I think about that experience, and know
that I can't possibly be as nervous as I was then!
Acoustic Guitars you own:
1921 Gibson L-1, an Alvarez-Yairi nylon string guitar,
Santa Cruz OM-PW, National Reso-phonic Style O, and a Stevens O-BW.
Favorite Guitar:
It
depends on the day you ask. Okay, Since I'm featuring Stout Street rag streaming on this page, what guitar did you use that day? Twas my Santa Cruz.
Your Style, and how you developed it:
I
often refer to it as a ragtime-classical-Gypsy
jazz mish mash. I started with classical guitar lessons in high school,
went off to college and didn't really play for a few years, and then started
taking ragtime/blues finger picking lessons. After I moved to Denver, I
developed an interest in Gypsy jazz, and actually had a short stint as a
rhythm guitarist in a Gypsy jazz ensemble. It wasn't until I relocated to
Portland that I really began composing my own material, and was finally able
to incorporate all of those different elements. I think it must have been
all the rain that keeps one inside during the notoriously wet and dark
winters here. And strong coffee.
Practice Regimen:
I've
been doing some side-person gigs lately, so I've been spending a fair amount
of time working on learning new tunes. In the past, I've been known to
have a pretty respectable practice regimen; practicing for 4-5 hours per
day, running scales, arpeggios, studying jazz tunes. Nowadays,
I'm more apt to just sit down with my guitar, and see what comes out.
I don't pay much attention to the time, as I've discovered that when I watch
the clock, I'm not very focused.
Just a few, in no particular order: Bela Fleck, Pat Donohue,
Bob Brozman, Chris Thile, Alison Brown, Queen.
Is there anything else you want people to know about you, your playing style or your views on today's music in general?
I
want people to understand that it's perfectly
legitimate to be an instrumental guitarist who happens to be female.
If I had a nickel for every time I've been asked, "do you sing?" Or
told, "you're pretty good, for a girl," I'd be rich! I understand that
I haven't chosen an easy path with my style, but instead of people
immediately disregarding it due to its instrumental nature, I would hope
folks can find a quiet, centered place in themselves where they can absorb
the nuances and subtleties in this music. But, in terms of playing
live, when you consider that most venues are really just hoping that the
musicians will bring in people to buy their alcohol, it makes it really
tricky to have this attitude and be a performer.
What are your immediate, short-term aspirations?
Besides selling more of the
CD's that are
piling up in my basement? Let's see. Of course, I'm always hoping to
improve my guitar playing in some way. I'm also hoping to start teaching
at guitar workshops, and I'd also like to travel to Madagascar to study
Malagasy guitar styles.
"Buy" the way, to purchase Jamie's said CD's , CLICK HERE!!! (Eric's shameless mid interview plug) Okay, back to business...
I
really enjoy staying fairly active, since I spend so much time on my rump
with a guitar in my hands. Since I'm not too keen on driving my car,
and Portland is such a great town for bicycle commuting, I spend a lot of my
time riding my bicycle around. I also enjoy playing tennis, juggling
clubs, and cooking. I'm also hoping that a ping-pong table will come
into my life soon.
What feeds you and pays the bills?
Teaching.
I've been teaching private guitar lessons for the last 10 years, and have
also recently started teaching guitar at a high school in downtown Portland.
And depending how self-motivated I am, performance gigs also help feed me
and pay the bills.
And finally, what's the coolest (music-related) thing that has happened to you?
I'd have to say getting an endorsement from Stevens Guitar of Munich.
Every time I pick up that guitar, I think to myself, "I can't believe they
just gave this to me!" I love that guitar, and am honored to have
received it.
Here's a tune called "Stout Street Rag", from her 2005 CD Mell of a Hess.
It should already have played, but just click below to hear it again. This catchy little tune was used in all of the radio advertising for the Newport Guitar Festival in Miami Beach back in April this year.
If the music isn't already playing in Safari Browser Get the plug-in here!! And please visit her website www.jamiestillway.com to learn more about Jamie and her music. |
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